Gania laughed sarcastically, but said nothing. The prince, seeing that he did not quite like the last remark, blushed, and was silent too. |
“What! Did you write all that yourself? Is it possible?” asked the prince, regarding Burdovsky with curiosity. |
This message entirely calmed the prince’s mind. |
“Yes--for her!” said the prince softly and sadly, and bending his head down, quite unconscious of the fact that Aglaya was gazing at him with eyes which burned like live coals. “I came to find out something--I don’t believe in her future happiness as Rogojin’s wife, although--in a word, I did not know how to help her or what to do for her--but I came, on the chance.”
The general rang the bell and gave orders that the prince should be shown in.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!” |
There were a few seconds of dead silence. |
“Shot himself this morning, at seven o’clock. A respected, eminent old man of seventy; and exactly point for point as she described it; a sum of money, a considerable sum of government money, missing!” |
“Make allowances? For whom? Him--the old blackguard? No, no, Varia--that won’t do! It won’t do, I tell you! And look at the swagger of the man! He’s all to blame himself, and yet he puts on so much ‘side’ that you’d think--my word!--‘It’s too much trouble to go through the gate, you must break the fence for me!’ That’s the sort of air he puts on; but what’s the matter with you, Varia? What a curious expression you have!”
“When I told them what a shame it was of the parson to talk as he had done, and explained my reason, they were so angry that some of them went and broke his windows with stones. Of course I stopped them, for that was not right, but all the village heard of it, and how I caught it for spoiling the children! Everyone discovered now that the little ones had taken to being fond of Marie, and their parents were terribly alarmed; but Marie was so happy. The children were forbidden to meet her; but they used to run out of the village to the herd and take her food and things; and sometimes just ran off there and kissed her, and said, ‘_Je vous aime, Marie!_’ and then trotted back again. They imagined that I was in love with Marie, and this was the only point on which I did not undeceive them, for they got such enjoyment out of it. And what delicacy and tenderness they showed! |
“Just so, prince, just so. How well you bring out that fact! Because your own heart is good!” cried the ecstatic old gentleman, and, strangely enough, real tears glistened in his eyes. “Yes, prince, it was a wonderful spectacle. And, do you know, I all but went off to Paris, and should assuredly have shared his solitary exile with him; but, alas, our destinies were otherwise ordered! We parted, he to his island, where I am sure he thought of the weeping child who had embraced him so affectionately at parting in Moscow; and I was sent off to the cadet corps, where I found nothing but roughness and harsh discipline. Alas, my happy days were done!”
The guests exchanged glances; they were annoyed and bewildered by the episode; but it was clear enough that all this had been pre-arranged and expected by Nastasia Philipovna, and that there was no use in trying to stop her now--for she was little short of insane.
On reading this short and disconnected note, Aglaya suddenly blushed all over, and became very thoughtful.
“Enough--enough!” said the latter, with insistence, but all of a tremble with excitement.