“Don’t lose your temper. You are just like a schoolboy. You think that all this sort of thing would harm you in Aglaya’s eyes, do you? You little know her character. She is capable of refusing the most brilliant party, and running away and starving in a garret with some wretched student; that’s the sort of girl she is. You never could or did understand how interesting you would have seen in her eyes if you had come firmly and proudly through our misfortunes. The prince has simply caught her with hook and line; firstly, because he never thought of fishing for her, and secondly, because he is an idiot in the eyes of most people. It’s quite enough for her that by accepting him she puts her family out and annoys them all round--that’s what she likes. You don’t understand these things.”
| “A certain person is very friendly with her, and intends to visit her pretty often.” |
| “What! I tell stories, do I? It is true! I gave him my promise a couple of days ago on this very seat.” |
| “I don’t _hate_, I despise him,” said Gania, grandly. “Well, I do hate him, if you like!” he added, with a sudden access of rage, “and I’ll tell him so to his face, even when he’s dying! If you had but read his confession--good Lord! what refinement of impudence! Oh, but I’d have liked to whip him then and there, like a schoolboy, just to see how surprised he would have been! Now he hates everybody because he--Oh, I say, what on earth are they doing there! Listen to that noise! I really can’t stand this any longer. Ptitsin!” he cried, as the latter entered the room, “what in the name of goodness are we coming to? Listen to that--” |
| And, indeed, there were no words in which he could have expressed his horror, yes, _horror_, for he was now fully convinced from his own private knowledge of her, that the woman was mad. |
“I guess what you mean--I should be an Osterman, not a Gleboff--eh? Is that what you meant?”
“Oh, don’t apologize. No, I don’t think I have either talents or special abilities of any kind; on the contrary. I have always been an invalid and unable to learn much. As for bread, I should think--”| “You’d better speak out. You’ll be sorry afterwards if you don’t.” |
“I believe that’s the best thing you can do. You said you’d ‘plead sick-list’ just now; where in the world do you get hold of such expressions? Why do you talk to me like this? Are you trying to irritate me, or what?”
“Tell me, prince, why on earth did this boy intrude himself upon you?” he asked, with such annoyance and irritation in his voice that the prince was quite surprised. “I wouldn’t mind laying odds that he is up to some mischief.”
“But after all is said, we are mixed up in it. Your daughters are mixed up in it, Ivan Fedorovitch; young ladies in society, young ladies at an age to be married; they were present, they heard everything there was to hear. They were mixed up with that other scene, too, with those dreadful youths. You must be pleased to remember they heard it all. I cannot forgive that wretched prince. I never shall forgive him! And why, if you please, has Aglaya had an attack of nerves for these last three days? Why has she all but quarrelled with her sisters, even with Alexandra--whom she respects so much that she always kisses her hands as though she were her mother? What are all these riddles of hers that we have to guess? What has Gavrila Ardalionovitch to do with it? Why did she take upon herself to champion him this morning, and burst into tears over it? Why is there an allusion to that cursed ‘poor knight’ in the anonymous letter? And why did I rush off to him just now like a lunatic, and drag him back here? I do believe I’ve gone mad at last. What on earth have I done now? To talk to a young man about my daughter’s secrets--and secrets having to do with himself, too! Thank goodness, he’s an idiot, and a friend of the house! Surely Aglaya hasn’t fallen in love with such a gaby! What an idea! Pfu! we ought all to be put under glass cases--myself first of all--and be shown off as curiosities, at ten copecks a peep!”
“You see, I am going into the country myself in three days, with my children and belongings. The little one is delicate; she needs change of air; and during our absence this house will be done up. I am going to Pavlofsk.”
“I wanted to see how the farce would end.”| Things had come to this unexpected point too quickly. Unexpected because Nastasia Philipovna, on her way to Pavlofsk, had thought and considered a good deal, and had expected something different, though perhaps not altogether good, from this interview; but Aglaya had been carried away by her own outburst, just as a rolling stone gathers impetus as it careers downhill, and could not restrain herself in the satisfaction of revenge. |
“Do you know why I have just told you these lies?” She appealed to the prince, of a sudden, with the most childlike candour, and with the laugh still trembling on her lips. “Because when one tells a lie, if one insists on something unusual and eccentric--something too ‘out of the way’ for anything, you know--the more impossible the thing is, the more plausible does the lie sound. I’ve noticed this. But I managed it badly; I didn’t know how to work it.” She suddenly frowned again at this point as though at some sudden unpleasant recollection.
| “I was passionately in love with her when she was engaged--engaged to my friend. The prince noticed the fact and was furious. He came and woke me at seven o’clock one morning. I rise and dress in amazement; silence on both sides. I understand it all. He takes a couple of pistols out of his pocket--across a handkerchief--without witnesses. Why invite witnesses when both of us would be walking in eternity in a couple of minutes? The pistols are loaded; we stretch the handkerchief and stand opposite one another. We aim the pistols at each other’s hearts. Suddenly tears start to our eyes, our hands shake; we weep, we embrace--the battle is one of self-sacrifice now! The prince shouts, ‘She is yours;’ I cry, ‘She is yours--’ in a word, in a word--You’ve come to live with us, hey?” |
| “There were a couple of old bullets in the bag which contained the pistol, and powder enough in an old flask for two or three charges. |
“It seems to me that all this has nothing to do with your affairs,” remarked the prince.
“Who was he?”
“Gracious heavens!” exclaimed Lizabetha Prokofievna. The prince started. The general stiffened in his chair; the sisters frowned.
“How can I? How can I?” cried Hippolyte, looking at him in amazement. “Gentlemen! I was a fool! I won’t break off again. Listen, everyone who wants to!”
“‘So much depends upon your uncle,’ I said. ‘And besides we have always been enemies, Bachmatoff; and as you are a generous sort of fellow, I thought you would not refuse my request because I was your enemy!’ I added with irony.
| Of course, the last argument was the chief one. The maternal heart trembled with indignation to think of such an absurdity, although in that heart there rose another voice, which said: “And _why_ is not the prince such a husband as you would have desired for Aglaya?” It was this voice which annoyed Lizabetha Prokofievna more than anything else. |
The prince blushed, but this time he said nothing. Colia burst out laughing and clapped his hands. A minute later the prince laughed too, and from this moment until the evening he looked at his watch every other minute to see how much time he had to wait before evening came.
At the moment when he lost Aglaya, and after the scene with Nastasia, he had felt so low in his own eyes that he actually brought the money back to the prince. Of this returning of the money given to him by a madwoman who had received it from a madman, he had often repented since--though he never ceased to be proud of his action. During the short time that Muishkin remained in Petersburg Gania had had time to come to hate him for his sympathy, though the prince told him that it was “not everyone who would have acted so nobly” as to return the money. He had long pondered, too, over his relations with Aglaya, and had persuaded himself that with such a strange, childish, innocent character as hers, things might have ended very differently. Remorse then seized him; he threw up his post, and buried himself in self-torment and reproach.
“How can she be mad,” Rogojin interrupted, “when she is sane enough for other people and only mad for you? How can she write letters to _her_, if she’s mad? If she were insane they would observe it in her letters.”
| “Yes.” |
“I assure you, you are under a delusion,” said the prince, calmly and politely. “I did not even know that you were to be married.”
Aglaya pressed the prince’s hand and left the room. Her face was serious and frowning; she did not even smile as she nodded good-bye to him at the door.
| He was sitting in the Summer Garden on a seat under a tree, and his mind dwelt on the matter. It was about seven o’clock, and the place was empty. The stifling atmosphere foretold a storm, and the prince felt a certain charm in the contemplative mood which possessed him. He found pleasure, too, in gazing at the exterior objects around him. All the time he was trying to forget some thing, to escape from some idea that haunted him; but melancholy thoughts came back, though he would so willingly have escaped from them. He remembered suddenly how he had been talking to the waiter, while he dined, about a recently committed murder which the whole town was discussing, and as he thought of it something strange came over him. He was seized all at once by a violent desire, almost a temptation, against which he strove in vain. |
“What--shame you? I?--what do you mean, you young calf? I shame you? I can only do you honour, sir; I cannot shame you.”
| “You call him a monster so often that it makes me suspicious.” |
In fact, the door opened directly, and the footman informed the visitors that the family were all away.
“Perhaps so; but it is hardly possible that you told it so that it seemed like truth, or so that you were believed. And, as Gavrila Ardalionovitch has said, the least suggestion of a falsehood takes all point out of the game. It seems to me that sincerity, on the other hand, is only possible if combined with a kind of bad taste that would be utterly out of place here.”
As the prince spoke these last words a titter was heard from Ferdishenko; Lebedeff laughed too. The general grunted with irritation; Ptitsin and Totski barely restrained their smiles. The rest all sat listening, open-mouthed with wonder.
| The prince was much interested in the young man who had just entered. He easily concluded that this was Evgenie Pavlovitch Radomski, of whom he had already heard mention several times. He was puzzled, however, by the young man’s plain clothes, for he had always heard of Evgenie Pavlovitch as a military man. An ironical smile played on Evgenie’s lips all the while the recitation was proceeding, which showed that he, too, was probably in the secret of the ‘poor knight’ joke. But it had become quite a different matter with Aglaya. All the affectation of manner which she had displayed at the beginning disappeared as the ballad proceeded. She spoke the lines in so serious and exalted a manner, and with so much taste, that she even seemed to justify the exaggerated solemnity with which she had stepped forward. It was impossible to discern in her now anything but a deep feeling for the spirit of the poem which she had undertaken to interpret. |
“You are always thinking about your nephew’s conduct. Don’t believe him, Lizabetha Prokofievna. I can assure you Gorsky and Daniloff are exceptions--and that these are only... mistaken. However, I do not care about receiving them here, in public. Excuse me, Lizabetha Prokofievna. They are coming, and you can see them, and then I will take them away. Please come in, gentlemen!”
| “Well!--and what’s the meaning of the ‘poor knight,’ eh?” |
| “Oh, Lebedeff, Lebedeff! Can a man really sink to such depths of meanness?” said the prince, sadly. |
| “Well, look here, Gania. I wish to look into your heart once more, for the last time. You’ve worried me for the last three months--now it’s my turn. Do you see this packet? It contains a hundred thousand roubles. Now, I’m going to throw it into the fire, here--before all these witnesses. As soon as the fire catches hold of it, you put your hands into the fire and pick it out--without gloves, you know. You must have bare hands, and you must turn your sleeves up. Pull it out, I say, and it’s all yours. You may burn your fingers a little, of course; but then it’s a hundred thousand roubles, remember--it won’t take you long to lay hold of it and snatch it out. I shall so much admire you if you put your hands into the fire for my money. All here present may be witnesses that the whole packet of money is yours if you get it out. If you don’t get it out, it shall burn. I will let no one else come; away--get away, all of you--it’s my money! Rogojin has bought me with it. Is it my money, Rogojin?” |
| “My dear, ‘_se trompe_’ is easily said. Do you remember any case at all like it? Everybody was at their wits’ end. I should be the first to say ‘_qu’on se trompe_,’ but unfortunately I was an eye-witness, and was also on the commission of inquiry. Everything proved that it was really he, the very same soldier Kolpakoff who had been given the usual military funeral to the sound of the drum. It is of course a most curious case--nearly an impossible one. I recognize that... but--” |
| However, she turned and ran down to the prince as fast as her feet could carry her. |
“‘How do you know that?’ he asked in amazement.
| “I was not at all afraid for myself, Gania, as you know well. It was not for my own sake that I have been so anxious and worried all this time! They say it is all to be settled to-day. What is to be settled?” |
Lebedeff really had been busy for some little while; but, as usual, his plans had become too complex to succeed, through sheer excess of ardour. When he came to the prince--the very day before the wedding--to confess (for he always confessed to the persons against whom he intrigued, especially when the plan failed), he informed our hero that he himself was a born Talleyrand, but for some unknown reason had become simple Lebedeff. He then proceeded to explain his whole game to the prince, interesting the latter exceedingly.
Suddenly he became aware that General Epanchin was tapping him on the shoulder; Ivan Petrovitch was laughing too, but still more kind and sympathizing was the old dignitary. He took the prince by the hand and pressed it warmly; then he patted it, and quietly urged him to recollect himself--speaking to him exactly as he would have spoken to a little frightened child, which pleased the prince wonderfully; and next seated him beside himself. The prince questioned him in detail as to his hints about Rogojin. He was anxious to seize upon some facts which might confirm Hippolyte’s vague warnings; but there were none; only Hippolyte’s own private impressions and feelings.| Nearly an hour passed thus, and when tea was over the visitors seemed to think that it was time to go. As they went out, the doctor and the old gentleman bade Muishkin a warm farewell, and all the rest took their leave with hearty protestations of good-will, dropping remarks to the effect that “it was no use worrying,” and that “perhaps all would turn out for the best,” and so on. Some of the younger intruders would have asked for champagne, but they were checked by the older ones. When all had departed, Keller leaned over to Lebedeff, and said: |
| “You know we have hardly spoken to each other for a whole month. Ptitsin told me all about it; and the photo was lying under the table, and I picked it up.” |