The clerk, rather confused, tried to say something, hesitated, began to speak, and again stopped. The prince looked at him gravely.
“Your love is mingled with hatred, and therefore, when your love passes, there will be the greater misery,” said the prince. “I tell you this, Parfen--”
| Rogojin asked his question like a lost soul appealing to some divinity, with the reckless daring of one appointed to die, who has nothing to lose. |
He stood so for ten seconds, gazing at the prince, motionless, deadly pale, his temples wet with perspiration; he held the prince’s hand in a strange grip, as though afraid to let him go.
Totski sat and shrugged his shoulders, bewildered. He was the only guest left sitting at this time; the others had thronged round the table in disorder, and were all talking at once.
| “All right! all right! I am not drunk,” replied the clerk, preparing to listen. |
“But it is so difficult, and even impossible to understand, that surely I am not to be blamed because I could not fathom the incomprehensible?
“Reject her! I should think not!” said the general with annoyance, and apparently not in the least anxious to conceal it. “Why, my dear fellow, it’s not a question of your rejecting her, it is whether you are prepared to receive her consent joyfully, and with proper satisfaction. How are things going on at home?”
“Yes, Nicolai Andreevitch--that was his name,” and the young fellow looked earnestly and with curiosity at the all-knowing gentleman with the red nose.
“Does she know about father, do you think--or not?”
“Save me!” she cried. “Take me away, anywhere you like, quick!”
“Oh, none at all! He has behaved very well indeed. I didn’t mean to drop any sort of hint. His own fortune is intact, I believe. Lizabetha Prokofievna, of course, refuses to listen to anything. That’s the worst of it all, these family catastrophes or quarrels, or whatever you like to call them. You know, prince, you are a friend of the family, so I don’t mind telling you; it now appears that Evgenie Pavlovitch proposed to Aglaya a month ago, and was refused.”
| “I never told either him or you that I loved him!” replied Nastasia Philipovna, with an effort. “And--and I did run away from him--you are right there,” she added, scarcely audibly. |
He tried to give the prince an affectionate smile, and it seemed to the latter as though in this smile of his something had broken, and that he could not mend it, try as he would.
| The prince took a droshky. It struck him as he drove on that he ought to have begun by coming here, since it was most improbable that Rogojin should have taken Nastasia to his own house last night. He remembered that the porter said she very rarely came at all, so that it was still less likely that she would have gone there so late at night. |
“I have a couple of words to say to you,” he began, “and those on a very important matter; let’s go aside for a minute or two.”
“Oh, my goodness! Just listen to that! ‘Better not come,’ when the party is on purpose for him! Good Lord! What a delightful thing it is to have to do with such a--such a stupid as you are!”
“Well, what then? Did you suppose it wasn’t going to rise?” asked Ferdishenko.
| “It is my mother’s. You get to her apartments by that passage.” |
“Why, how strange!” he ejaculated. “You didn’t answer me seriously, surely, did you?”
She walked past the orchestra, to where an open carriage was waiting, near the road.
But he had no time to say another word before Aglaya’s terrible look bereft him of speech. In that look was embodied so dreadful a suffering and so deadly a hatred, that he gave a cry and flew to her; but it was too late.
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
| “The visit to Rogojin exhausted me terribly. Besides, I had felt ill since the morning; and by evening I was so weak that I took to my bed, and was in high fever at intervals, and even delirious. Colia sat with me until eleven o’clock. |
“I knew it was bound to be so.” Then he added quickly:
| It was quite dark now, and Muishkin could not see her face clearly, but a minute or two later, when he and the general had left the villa, he suddenly flushed up, and squeezed his right hand tightly. |
| “Thoroughly honest, quite so, prince, thoroughly honest!” said Lebedeff, with flashing eyes. “And only you, prince, could have found so very appropriate an expression. I honour you for it, prince. Very well, that’s settled; I shall find the purse now and not tomorrow. Here, I find it and take it out before your eyes! And the money is all right. Take it, prince, and keep it till tomorrow, will you? Tomorrow or next day I’ll take it back again. I think, prince, that the night after its disappearance it was buried under a bush in the garden. So I believe--what do you think of that?” |
| “Colia spent the night here, and this morning went after his father, whom you let out of prison by paying his debts--Heaven only knows why! Yesterday the general promised to come and lodge here, but he did not appear. Most probably he slept at the hotel close by. No doubt Colia is there, unless he has gone to Pavlofsk to see the Epanchins. He had a little money, and was intending to go there yesterday. He must be either at the hotel or at Pavlofsk.” |
This time they neither opened the door at Rogojin’s flat nor at the one opposite. The prince found the porter with difficulty, but when found, the man would hardly look at him or answer his questions, pretending to be busy. Eventually, however, he was persuaded to reply so far as to state that Rogojin had left the house early in the morning and gone to Pavlofsk, and that he would not return today at all.
“Yes, lock it.”
All this looked likely enough, and was accepted as fact by most of the inhabitants of the place, especially as it was borne out, more or less, by daily occurrences.
| The laughter became louder than ever. |
Farther on, in another place, she wrote: “Do not consider my words as the sickly ecstasies of a diseased mind, but you are, in my opinion--perfection! I have seen you--I see you every day. I do not judge you; I have not weighed you in the scales of Reason and found you Perfection--it is simply an article of faith. But I must confess one sin against you--I love you. One should not love perfection. One should only look on it as perfection--yet I am in love with you. Though love equalizes, do not fear. I have not lowered you to my level, even in my most secret thoughts. I have written ‘Do not fear,’ as if you could fear. I would kiss your footprints if I could; but, oh! I am not putting myself on a level with you!--Look at the signature--quick, look at the signature!”
| “H’m! yes; did you live in Petersburg in former years?” |
V.
“Nastasia Philipovna, dear soul!” cried the actress, impatiently, “do be calm, dear! If it annoys you so--all this--do go away and rest! Of course you would never go with this wretched fellow, in spite of his hundred thousand roubles! Take his money and kick him out of the house; that’s the way to treat him and the likes of him! Upon my word, if it were my business, I’d soon clear them all out!”
“Ardalion Alexandrovitch,” she cried after him, “wait a moment, we are all sinners! When you feel that your conscience reproaches you a little less, come over to me and we’ll have a talk about the past! I dare say I am fifty times more of a sinner than you are! And now go, go, good-bye, you had better not stay here!” she added, in alarm, as he turned as though to come back.
“But surely you do not believe that she...”
Mrs. General Epanchin was a proud woman by nature. What must her feelings have been when she heard that Prince Muishkin, the last of his and her line, had arrived in beggar’s guise, a wretched idiot, a recipient of charity--all of which details the general gave out for greater effect! He was anxious to steal her interest at the first swoop, so as to distract her thoughts from other matters nearer home.
“Cold?”
“I don’t know. Perhaps it was that I seemed to come upon light in the midst of my gloom. I told you the truth when I said I did not know why I thought of you before all others. Of course it was all a sort of dream, a dream amidst the horrors of reality. Afterwards I began to work. I did not intend to come back here for two or three years--”
| Hippolyte glanced at him suddenly, and when their eyes met Rogojin showed his teeth in a disagreeable smile, and said the following strange words: “That’s not the way to settle this business, my friend; that’s not the way at all.” |
“If this ‘Explanation’ gets into anybody’s hands, and they have patience to read it through, they may consider me a madman, or a schoolboy, or, more likely, a man condemned to die, who thought it only natural to conclude that all men, excepting himself, esteem life far too lightly, live it far too carelessly and lazily, and are, therefore, one and all, unworthy of it. Well, I affirm that my reader is wrong again, for my convictions have nothing to do with my sentence of death. Ask them, ask any one of them, or all of them, what they mean by happiness! Oh, you may be perfectly sure that if Columbus was happy, it was not after he had discovered America, but when he was discovering it! You may be quite sure that he reached the culminating point of his happiness three days before he saw the New World with his actual eyes, when his mutinous sailors wanted to tack about, and return to Europe! What did the New World matter after all? Columbus had hardly seen it when he died, and in reality he was entirely ignorant of what he had discovered. The important thing is life--life and nothing else! What is any ‘discovery’ whatever compared with the incessant, eternal discovery of life?
“Never mind; by-and-by; yes, I am not feeling well,” said the prince impatiently, hardly listening. He had just heard Hippolyte mention his own name.
“Shall I see you home?” asked the prince, rising from his seat, but suddenly stopping short as he remembered Aglaya’s prohibition against leaving the house. Hippolyte laughed.
“What in the world induces you to act so? You are nothing but a spy. Why did you write anonymously to worry so noble and generous a lady? Why should not Aglaya Ivanovna write a note to whomever she pleases? What did you mean to complain of today? What did you expect to get by it? What made you go at all?”
| “My goodness!” shivered the clerk. “And his father,” he added, for the prince’s instruction, “and his father would have given a man a ticket to the other world for ten roubles any day--not to speak of ten thousand!” |
Prince S. was now no longer smiling; he gazed at the prince in bewilderment.
Just then another person belonging to the household was seen at the back of the hall. It was a woman of some forty years, dressed in sombre colours, probably a housekeeper or a governess. Hearing the names she came forward with a look of suspicion on her face.
| “But--why in the world--and the money? Was it all there?” |
There was no need to repeat that she was serious. The general, like all drunkards, was extremely emotional and easily touched by recollections of his better days. He rose and walked quietly to the door, so meekly that Mrs. Epanchin was instantly sorry for him.
“Only that God gives that sort of dying to some, and not to others. Perhaps you think, though, that I could not die like Gleboff?”
“You see,” said Hippolyte, coolly, “you can’t restrain yourself. You’ll be dreadfully sorry afterwards if you don’t speak out now. Come, you shall have the first say. I’ll wait.”
He turned his head towards her and glanced at her black and (for some reason) flashing eyes, tried to smile, and then, apparently forgetting her in an instant, turned to the right once more, and continued to watch the startling apparition before him.
“No, oh no!” cried Lebedeff, waving his arms; “if she is afraid, it is not for the reason you think. By the way, do you know that the monster comes every day to inquire after your health?”
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“P.S.--I trust that you will not show this note to anyone. Though I am ashamed of giving you such instructions, I feel that I must do so, considering what you are. I therefore write the words, and blush for your simple character.
| “I’m not laughing. I am convinced, myself, that that may have been partly the reason.” |